断ち切るしかないんだろ 注いだ冬は心のラビリンス 後戻りなんて出来ないから やりきるしかないんだろ 黒い気持ちと手を繋いだって構わない 抱きしめたっていいhI have to break free This pouring winter is my heart's labyrinth I can't go back anymore, so I have to finish this I don't care if you took my hand with dark motives I want you to hold me close
[The hole gets bigger! As she keeps at it, she'll be able to make a hole big enough for her to crawl through. Good thing she's pretty small, so she won't be here all day.]
[ For some reason, Sunrise finds herself thinking of Five Echoes back home, and the image is one of raw indignation that Sunrise doesn't necessarily understand but can already imagine, nonetheless. ]
[ She says this so straightforwardly because from her perspective, this is true—the notion of whether it's idealism hadn't crossed her mind. ]
I just know that people have regrets, and it can be difficult to find happiness while carrying them. Some people never do. ...So I think being used to it is lonely.
[ ... ]
And you still tried to give me something that would make me happy, even though I am a mistake.
[Which is an impossible ask, depending on how you look at regret. It's impossible to do everything right all the time, so it's inevitable to stumble, to fail, to lose, but accepting those things isn't the same as regretting them.
And even if you somehow manage to be perfect, there can also be regret that tags along with "what if"s.]
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She attempts to kick the wall (17) as an experiment.]
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...
But the wall is just a wall, and she manages to kick a small hole into it.]
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So she's kicking it again (12) to try and get the hole big enough for her to crawl through. ]
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But no, Sunrise is in a plain, barren room. Unfortunately, Haruka is there too.]
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She will, however, approach Haruka.]
Mr. Haruka.
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[Haruka doesn't seem surprised to see her, but he was just sitting there watching her kick through the wall, so... he had plenty of warning...]
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...You were just waiting here?
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[It's his palace! He doesn't have anywhere else to go!]
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I don't need to sell myself a happy ending, though.
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[ It's asked in the tone of a genuine, honest-to-god question. ]
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[Because what's important for them is his image, and they'll assume from there.]
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But what about you?
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What do you mean?
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[...]
It's not exactly my first priority, though.
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[ And...well, if he was, this palace would probably be going differently, she thinks. ]
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[If he was happy this palace would have been a circus.]
I'm used to it, though.
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...I do not think anyone living should be used to it.
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[ She says this so straightforwardly because from her perspective, this is true—the notion of whether it's idealism hadn't crossed her mind. ]
I just know that people have regrets, and it can be difficult to find happiness while carrying them. Some people never do. ...So I think being used to it is lonely.
[ ... ]
And you still tried to give me something that would make me happy, even though I am a mistake.
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So, we should try to live without regrets?
[Which is an impossible ask, depending on how you look at regret. It's impossible to do everything right all the time, so it's inevitable to stumble, to fail, to lose, but accepting those things isn't the same as regretting them.
And even if you somehow manage to be perfect, there can also be regret that tags along with "what if"s.]
The chips weren't anything special, anyways.
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